XXXVII

Author’s note: the difference in suction is more apparent between this panel and the last one. In this case, this would make more sense with the alternate form to direct lip width with Ola’s left middle finger. And Remi's fingers moving down and not back with low pressure, but the same curling motion, would make more sense than the current drawings.

XXXVIII

The pattern at this tempo continues...although this would make more sense if Ola's skin was touching Remi's teeth and Ola's left hand was bare.

XXXIX

XL

All of Ola's fingernails stroke Remi's scalp from the top to near their ears, at a speed twice as slow as Remi's suck changing in one direction of the last pattern. Ola's left fingers grouped together, and all of their right fingers dispersed, reverses the actions of the last command.
Author's note: again, this would make much more sense if Ola's skin was touching Remi's teeth and Ola's left hand was bare.

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Page directory:
Harmonious patterns
First movement graph
I-IV
V-VIII
IX-XII
Second movement graph
XIII-XVI
Third movement graph
XVII-XX
XXI-XXIV
Fourth movement graph
XXV-XXVIII
Fifth movement graph
XXIX-XXXII
Sixth movement graph
XXXIII-XXXVI
Seventh movement graph
Eighth movement graph
XLI-XLV
Tongue
1
2
3
4
5
6
Lips
7
8
9
10
Pattern
11
12
13
14
Outside fingers
15
16
17
18
19
Memories
20
21
Shot 53 design (~1.7 MB)
22
23
24
25
26
27
28
Inside fingers
Shot 76 design (~1.1 MB)
29
30
31
32
Vocal vibrations
44