I guess this is an explanation about how a lover, a Director, may direct the mouth and hand of their partner, the Performer, on the Director's foot, in a completely tactile way. I think a similar way of communicating can be applied to oral sex. I know of no practical experience of this activity, or anything like it.

(Image description: the Director is sitting on a stairwell with their right foot on their left knee, facing downstairs. Their partner, the Performer, has their mouth on the Director's right foot. The Performer is sitting on a lower step than the Director. The Performer is facing the toeprints of their partner's right foot. The Director's right hand is on the Performer's left hand. Both of these hands are over the Director's right leg between their knee and ankle. The Director's left hand is on the back of their partner's neck.)

The Performer's left hand is used as a model or map of the Director's right foot. The Director's right hand on their partner's left hand directs the movement of the Performer's tongue, lips, and fingers across and against the Director's foot. The Director's left hand establishes points of reference, like making a landmark when navigating, or calibrating a scale that measures weight. Two points of reference in the same metric translates a mutually understood scale of tactile stimuli from hand to foot.


(Image descriptions: From the same position, the Performer's left hand is on the Director's right leg. The Performer's palm is down, and their fingers are fully extended and pulled together. The Director's right hand is on the fingernail side of the Performer's hand, like the Director would be holding a pencil or pen, but their index finger is in that vacancy. The ends of the Director's index finger, middle finger, and thumb are against their partner's skin. The next image is just like the last, but all of the Director's fingerprints are together against their partner's skin, or their pinky and ring fingerprints are pushing toghether while their middle and index fingerprints are pushing together.)

Movements of a single index finger across the Performer's hand may direct the pressure and location of their tongue. Movements of their middle finger and thumb on either side of their index finger may direct the pressure and location of their lips and mouth. Movements of all four fingers together, or split in the middle with their ring and pinky finger together, and their middle and index finger together, may direct the Performer's right hand against their partner's foot. If any of these fingers are still, and pressure is static, that would be the time for the Director to use their left hand.



(Image descriptions: The Director's left hand is displayed in various positions to push or pull their partner's head in various directions along the surface of the Director's foot. This hand is then displayed in 3 ways: 1 fingernail brushing up or down the Performer's neck or head to adjust reference tongue pressure, 2 fingernails together to adjust reference mouth or lip pressure, and the Performer's middle finger and thumb moving towards or away from each other against the Performer's head or neck to adjust reference width of the Performer's mouth.)

The Director's left hand would then adjust these points of reference. These kind of commands are like a dance choreographer stopping someone's dance and moving the dancer's body to a preferred position, but in this case it's more like a hint in one direction, for the Performer to move to themselves. If they go too far, the director would send a hint in the opposite direction.

The location and pressure of the Performer's right hand fingers could be corrected with The Director's left hand directly over The Performer's right hand.

(Image descripiton: This a collage of 6 different hand position options of the Director's right hand. Each third refers to the Performer's tongue, lips, or right hand. The first two positons of the tongue highlight their leading index fingernail or fingerprint. The third and forth positions of the mouth highlight the leading middle fingernail and thumbnail or middle fingerprint and thumbprint. The fifth and sixth positions of the right hand highlight the leading fingernails or fingerprints. The positions with leading nails share a common row labeled "stop pattern". The positions with leading fingerprints share a common row labeled "start pattern".)

To prevent continuous direction of a pattern that the Director likes, a pattern of movement may be set with a quick prod of the Director's fingerprints that direct the parts of the Performer making the pattern. If this couple can, the Performer's tongue and lips may be directed simultaneously, and the Director's thumbprint, middle finger print, and index finger print may prod the Performer's left hand at the same time to request this pattern of movement is made without continuous direction from the Director. This may be most easy for the Performer to understand if this prod is made in the rhythm of the pattern. Or if the pattern is directed at least 3 or 4 times consecutively.

Stopping this pattern would be made with the same digits in the same position, but with leading fingernail edges instead of leading fingerprints. They're tactile safe words.

If this couple wants to do one part at a time, whether tongue, fingers, or lips, these patterns may be mixed together after the first pattern is set.

If the Director would like to go back to a certain pattern of numerous parts of the Performer moving simultaneously, without the gradual composition of each part all over again, or if this certain pattern has a static pressure that may be confusing with a volatile push, the Director may command certain memorization and recollection of patterns.

(Image description: the Performer's forehead with three thumbprint outlines drawn across it. along each thumbprint outline is a thumbknuckle and thumbnail print. in the center of one thumbprint is a horizontal thumbnail print with an arrow pointing down from it. in the center of another thumbprint is a vertical thumbnail print with an arrow pointing down from it.)

There may be 3 places on the Performer's forehead for 3 different memories of sequences. A thumbprint would request the Performer memorizes a pattern from the instant they recognize their partner's thumbprint. The same consecutive press in the same place would request the end of the pattern to remember is at that instant. A horizontal thumbnail scratching downward may direct the Performer to start that pattern again at that instant, mixing this pattern with whatever pattern may have been ongoing. After the first scratch, the same kind of horizontal scratch in the same place may request stopping this pattern from memory. A vertical thumbnail scratching downward may direct the Performer to start that pattern again at that instant, stopping any pattern that was done before that instant. After this scratch, the same kind of vertical scratch in the same place may request stopping this pattern. The Director's thumbknuckle and thumbnail pushing against their partner's forehead at the same instant may suggest the Performer may forget the memory recalled by that spot on their forehead.

(Image description: the back of the Performer's left hand with a glove covering all their skin but a hole cut into the shape of the outside of their partner's vulva. Different parts of their hand are labeled as landmarks of a map that may represent the Director's foot or vulva: the Performer's index finger may be their partner's big toe, the pinky finger may be the pinky toe, the middle finger may be the clitoral shaft, the biggest middle finger knuckle may be the clitoris, the flesh between ring and index metacarpel bones, or the bones leading from knuckles to wrist, may be space for labial lips, and where metacarpel bones almost converge may be the Director's vaginal opening.)

If applied to oral sex, the Performer may wear a glove with a shape cut out to establish a sense of scale and reference that may not be as easily defined at low pressures. The Performer's metacarpel bones from their knuckles to their wrist may be too far under their skin and muscle to feel, or they may not be at an appropriate angle to represent the shape of their partner's vulva.